despite pervasive feelings of low-level guilt associated with my hiatus from the texts of this hyper space // it occurs to me that this too is the context of my involvement with Mallarmé’s tombeau… and hiswe startwe start againwe move in on it, towards poeticizing it, to shape the shape of it (but it bleeds/escapes embodiment)the timeline moves (and movies) like a ribbon (anachronistically: film reels), i take her dv camera out one day and tape (billy has a word for these words, what was it? i must ask him when he returns) the drive out to the cliff (but you must wait for this, for me to upload/edit/upload and move back again (yet forward) in time to week one : timing (which is its context too, and atmosphere as well)to here: which is where context exploded into realtime, into space (and escape):Contextualizing (time and place)“more soon”
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Zephyr, I’m very interested in some of the decisions that go into your works that I saw on Youtube. Could you furnish some links for people here, and also talk a little bit about why you work the way that you do? It would provide a little context for your video reading of Mallarme.